Sebastián Pagani, a young film director, returns to his hometown to film a story of Haroldo Conti. There he expected a ghost from the past: recently, a childhood friend just committed suicide in mysterious circumstances. Pagani gets to know details about his death only multiply the enigmas. Slowly, he begins to become disenchanted with their own project to become more involved in research on the last day of the suicide. But towards the end, both concerns come together in unexpected ways. The Turn is a sad irony about memory and identity

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Ricardo Darring, a moderately successful theater director, returns to his hometown to revive the play that made him famous 30 years earlier. To do so, he seeks out the original cast and tries to convince them to participate in his project; among them are his childhood best friend, his first love, and a series of characters from his past who have drifted away.

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